Description of the painting by Arkady Rylov in the blue space. Works based on the painting by A.A. Rylova "In the blue expanse. General impression of the picture, mood and rating

Story

Arkady Rylov from a young age was interested in topics related to the sea and river expanses. In particular, he depicted birds near the water (The Seagulls, 1910). Being on the Kama, the artist painted a series of landscapes, of which the most famous is the canvas depicting birds flying over the water - "Swans over the Kama" (1912), which he subsequently repeated several times.

Arkady Rylov painted the painting "In the Blue Space" in 1918.

Description

The painting depicts swans flying over the dark blue wavy surface of the sea against the background of a blue sky and white cumulus clouds.

Beautiful white birds fly easily and freely on their huge wings. They seem to bathe in this blue expanse permeated with light, either floating freely in the air, or occasionally flapping their wings. And just as freely and freely, calmly and smoothly, large cumulus clouds swirl in the air. And below, under them, the lines of cirrus clouds, as it were, emphasize general direction movements, those horizontals on which the basis of the composition is built.

This calm, soaring movement of birds and clouds also corresponds to the calm swaying of small blue waves of heavy ocean water, the light, smooth gliding of the ship. On all sails, he rushes through the waves like a bird, as if only lightly touching the surface of the water. The ship, like the birds, is the personification of the same free, unhindered and silent, flying movement.

This feeling of flying, sliding movement captures the viewer so much, he experiences the flight of birds and the movement of the ship so much that it begins to seem to him, as a person on a moving object, that a rocky coast is moving.

At the same time, as if the “floating” nature of the image, it looks very stable, and therefore the movement itself becomes incessant, eternal. The compositional arrangement of objects and color spots creates a balance in the composition and establishes the foreground of the picture. The movement develops from right to left, parallel to the picture plane. It is highlighted with color. The general, blue with greenish, colorful gamut of the picture is built according to the classical principle of weakening and brightening the color in depth. The sky, blue above, holds the foreground, and this is matched by the dark blue color of the water below, with green shadows and white caps. The sky becomes blue lower and deeper, and towards the horizon it turns green, acquiring on the right, above the warm brown color of the rocks, already a completely turquoise hue. Violet shadows on the clouds and the lower planes of the wings of birds well emphasize their illumination.

The movement, starting in the flight of swans at the right edge of the picture, develops along a wavy line, but, reaching the left edge of the picture, it seems to go down in two smaller birds in order to return again through a white sailboat and snow patches on a rocky coast to the right edge at the bottom of the picture. Small white clouds at the bottom, parallel to the horizon, as well as white breakers on the waves, connecting with the upper row of birds, emphasize the horizontality of the composition.

The movement along the oval, which does not go beyond the limits of the picture, creates a feeling of swinging in the air, expressing this song about serene joy and harmonic freedom. This is where the theme of the canvas is revealed: as if immersing in the “blue expanse” of the birds, the ship, and the viewer himself. The coast is not just outlined in silhouette, but clearly visible - harsh, rocky, covered with eternal snow, indicating that the scene is the far North. The sailboat evokes associations associated with the romance of long-distance voyages, with the sea expanses of the harsh North. The fact that it is this nature, usually so gloomy and stormy, that now smiles so serenely, further enhances the feeling of harmony, joy and happiness that emanates from the picture, the joy of life, combined with calm harmony with the sea and sky. The free flight of swans over the expanses of the sea is permeated with light and air.

This is a landscape-symphony, solemn and joyful, a symphony of light, blue azure. The feeling of life breaking free, the joyful birth of a bright, new world, was expressed by Rylov in his landscape, permeated with light and air ...

Plan

1. The meaning of the title of the painting by Arkady Alexandrovich Rylov "In the blue expanse".

2. The foreground of the picture is swans flying over the dark blue wavy surface of the sea against the blue sky and white cumulus clouds. (The flight of birds is light and free, the transparent air is filled with bright light, the expanse of the sea ...)

3. Medium plan- rocky islands are visible on the horizon, symbolizing the harsh northern nature. A sailboat sailing in the distance emphasizes the romanticism (ideality, dreaminess, optimism) of the seascape. (Snow-covered cliffs or harsh, rocky coast; small blue waves of heavy ocean water; light, smooth sliding of a ship.)

4. Background - lines of cirrus clouds, the endless expanse of sky and sea. (The horizontal direction of the clouds, the azure of the sky, blue with greenish, the colorful gamut of the picture.)

5. Impressions caused by the painting by Arkady Alexandrovich Rylov "In the blue expanse".

Composition based on the painting In the blue expanse of A. Rylova for students in grades 3 and 7.

Composition based on the painting “In the Blue Space” by A. Rylov Grade 3

Essay plan

What landscape did the artist depict?
What takes up most of the picture?
The main idea of the picture.

The artist A. Rylov in his painting "In the Blue Space" depicted the endless sea. It is dark blue. There are small waves here. A ship sails in the distance. Its bright sails are inflated by the wind.

Rocks are visible a little further. A lot of them. They are partially covered with white snow. The sky in the picture is very beautiful. Up close, it's bright blue. Fluffy white clouds float across the sky. They look like cotton balls. And above the horizon, the clouds stretched out and completely covered the sky. It's quite pale there.

Seven beautiful birds are visible in the sky. These are swans. They have a white body, a long neck, a dark beak and black legs. Swans look into the distance. The bright sun shines on them. Their path is long. But they still have a lot of power. They fly south. The swans will stay there until spring. And then return to their native lands.

Composition based on the painting “In the Blue Space” by A. Rylov Grade 7

Essay plan

Introduction. A few words about the author of the picture.
Main part. Description of the picture.
Birds
Season
Conclusion. Painting impressions.

The Russian painter A. Rylov has always been passionate about water themes. In almost all of his paintings, he depicted the sea, river or lake. Birds were very often present near the water, which quite harmoniously fit into the water landscape. The sky also played an important role. It has always been different and so expressive that it could not help but attract the attention of the viewer. "In the blue expanse" - one of these paintings.

Most of the picture is occupied by the sky. It's brighter up close. Its rich blue color, contrasting with snow-white cumulus clouds, strikes with its beauty. But towards the horizon, the color of the sky gradually changes, becoming almost white. There are too many cirrus clouds, almost completely covering the sky.

On the background beautiful sky the artist captured seven white birds flying over the water. They are depicted so close that each of them can be clearly seen. They have a large build, small head, long neck, short beak and legs. Their strong wings are spread wide, and their movements are unusually graceful. You can't take your eyes off the birds. Without a doubt, these are swans. They fly south towards the bright sun. Winter has come to our homeland.

The dark blue sea depicted in the picture is not covered with ice, but there is already snow on its many islands. A fresh frosty breeze is blowing. He makes light waves on the water and inflates the sails of a ship sailing in the distance. However, birds are not afraid of either light frost or cold wind. They are only at the beginning of their long journey to the south and are full of strength. In warm regions, swans will spend the whole winter, and in the spring they will definitely return home, once again delighting the inhabitants of their native land with their appearance.

The color palette chosen by the artist is cold colors and shades. And they not only emphasize the feeling of the cold season. Combination white color with light and dark shades of blue make this work an amazingly bright subject of painting. A small amount of gray, black and brown only enhance this effect.

It is worth noting that the picture has a very realistic look. It is hard to believe that this image is not a photograph. Small details are so clearly displayed that the viewer can involuntarily feel like a participant in this plot. Everything happens like it really is. Everything is real: the wind-blown sea, the snow-covered rocky islands, the two-masted sailing ship, the blue cloudy sky, and the majestic white birds.

painting In the blue expanse by A. Rylov photo

RYLOV Arkady Alexandrovich (1870-1939)

In the history of Russian painting A.A. Rylov entered primarily as the author of two famous landscapes - "Green Noise" and "In the Blue Space", although he left a legacy of a large and very high artistic level.

Russian Soviet painter A.A. Rylov was born on January 17 (29), 1870 in the village of Istobenskoye, Vyatka province (now Istobensk, Kirov region). Arkady was born on the way, when his parents were going to Vyatka. Rylov's father suffered from a severe nervous breakdown, so the boy was brought up in his stepfather's family.

His childhood and youth were spent in the north. The family lived in Vyatka, on the banks of a wide river with the same name. The land of forests, lakes and rivers captivated the artist with its beauty. Rylov fell in love with nature passionately and for life. He could wander through forests and meadows all day long, sit by the water for hours, watching ducks, or follow a fluffy squirrel for a long time.

In 1893 A.A. Rylov entered the St. Petersburg Imperial Academy of Arts, and a year later he was invited to his studio by A.I. Kuindzhi, whose training has long been the cherished dream of a young artist. Rylov in the full sense of the word can be considered a student and follower of Kuindzhi.

By the early 1900s, Rylov's skill had reached maturity. Being a native of the Vyatka province, he dedicated his first landscapes, written after graduating from the Academy, to his native northern nature: "From the banks of the Vyatka" (1901), "Ripples" (1901), "Daredevils. Kama" (1903). Similar in character are the paintings made after the trip to Finland to study sketches: "Spring in Finland" (1905), "Quiet Lake" (1908).

Spring in Finland

ripple

These northern landscapes brought him his first fame. We can say that at that time the artist's favorite themes were determined: the water element and wind-driven trees. This choice, according to A.I. Kuindzhi, testified to "an innate love for nature."

In 1904, Green Noise appeared. The artist worked on the painting for two years, painting it in the studio, using the experience of observing nature and a lot of sketches made in the vicinity of Vyatka and St. Petersburg. Contemporaries were struck by the young, joyful feeling that pervaded the landscape. Color is based on a combination of saturated color relationships. A dynamic spatial solution is the opposition of a very close foreground and the boundless distance that opens behind it. In this picture, as in some others by Rylov, in natural motives historical symbolism comes through - a Slavic canoe, visible behind the trees.

green noise

In his "Memoirs" Rylov wrote: "... I lived in the summer on the steep, high bank of the Vyatka, under the windows birch trees rustled all day long, calming down only in the evening; a wide river flowed; I could see distances with lakes and forests ... I very much I worked on this motif, trying to convey my feeling from the spring noise of birches ... "Seeing the picture, Rylov's friend, the artist Bogaevsky, recited a poem Nekrasov"Green Noise" best title for the picture it was impossible to come up with. So Nekrasov's poems forever became related to one of Rylov's best paintings, which marks the heyday of his talent. Now one of the versions of the painting "Green Noise" adorns the Tretyakov Gallery in Moscow, and the other - the State Russian Museum in St. Petersburg. In 1904, "Green Noise" put the artist in the ranks of the best landscape painters in the country.

Flight of swans over Kama

Once, for the first time in his life, the artist saw white swans in freedom - beautiful proud birds made a spring migration. The free flight of white birds over the boundless northern sea captured the artist's imagination for a long time. And in 1918, in one breath, he painted the painting "In the Blue Space". It was a repetition of the painting "The Flight of Swans over Kama" painted by him in 1914, but this time in a major key.

In the blue space

In the new picture A.A. Rylov achieved not only the expressive laconicism of the artistic language, but also the symbolic sound of the image. Blue-green waves crash against the reddish rocks of a distant island. Sparkling snow glitters on the tops of the rocks. A light sailboat sways on the waves. And over the horizon in a gentle azure, light clouds slowly float by. The majestic and severe northern nature meets the morning of a new day. White swans, as if bathing in the crystal air, soar above the water, now descending, then rising to the lilac curly clouds. There is so much air in the picture that the viewer seems to feel the fresh breath of the wind himself. The smooth rhythm of the movement and the major color, which the artist managed to convey, formed a poetic song.

Even today, white swans over the northern sea evoke a feeling of joy, a feeling of vast expanse and light. It is quite natural that this image, full of faith in vitality, was later used for ideological purposes. Rylov combined realism in the depiction of nature with the romanticization of the image, so his work received a symbolic interpretation: the motif of boundless expanse, the harsh sea and strong wind associated with the "winds of revolution". Canvas A.A. Rylova entered official history art as almost the first full-fledged "Soviet" picture, full of "revolutionary romance". The picture was declared the first Soviet landscape, and Rylova - the founder of Soviet landscape painting. Now the canvas "In the Blue Space" is in the State Tretyakov Gallery.

Creating mainly landscape paintings, Rylov sought to give a generalized, national-romantic in mood image of his native country. IN Soviet period creativity, the artist in a number of cases showed in the landscape the transformative activity of people ("Tractor at Forestry Works", 1934, Tretyakov Gallery), turned directly to historical and revolutionary topics ("Lenin in Razliv", 1934, Russian Museum).

But he also had landscapes with a different mood - for example, "Wilderness" (1920). A swamp with black water fills the entire foreground, and behind it is a gloomy, disturbing forest.

backwoods

True, the artist has much more life-affirming works: "Sunset" (1917), "Seagulls. Quiet Evening" (1918), "Swans" (1920), "Hot Day", "Field Rowan", "Island" (all 1922) , "Birch Grove" (1923), "Old Fir Trees by the River" (1925), "Forest River" (1928), "House with a Red Roof" (1933), "In Green Banks" (1938), etc.

Seagulls. Quiet evening

field mountain ash

Sunset

Rylov was also a subtle animal painter, generally loved the whole living world, and this world paid him the same. He was loved by birds and animals, and the manifestations of such love and trust aroused the surprise of those around him. It is known that the artist had a whole corner of the forest in his studio, where its inhabitants walked - a monkey, hares, squirrels, birds and other animals. He bought them in the market or picked them up somewhere, sick and weakened, nursed them, fed them, and set them free in the spring. The animals and birds of Arkady Alexandrovich were not afraid. There were also two anthills. This touching trust of "our smaller brothers" was captured by the artist in the painting " forest dwellers"(1910) and in "Self-portrait with a squirrel" (1931, Tretyakov Gallery).

Self-portrait with a squirrel

The artist not only supported the October Revolution, but also became an active figure in Soviet art. Later, in the 1920s and 1930s, Rylov's works became emphatically decorative. In 1935 he was awarded the title of Honored Artist of the RSFSR.

Master of picturesque landscapes, academician of painting A.A. Rylov died in Leningrad on June 22, 1939.

And his most famous paintings "In the Blue Space" and "Green Noise", due to their decorative effect, the selection of colors and their combinations, the absence of tonal transitions, interesting angles and symbolism, have become not only textbooks, but also revered by everyone who is at least a little familiar with Russian painting.

Only Rylov, perhaps, knew how to look somehow especially poetically at the most ordinary pictures of nature, past which hundreds of people passed without noticing them: white dandelions in a green meadow; blue rivers where reflections of clouds floating across the sky bathe; a nimble squirrel jumping along fluffy spruce branches; spring migration of birds; birches fluttering in the wind with their branches; a sunbeam deftly jumping in the corolla of kupava ... The artist was overwhelmed with impressions from what he saw. Hands reached out to the brush, the brush to the canvas, and paintings were born about native nature, and therefore, about native land. Probably, the artist Rylov, with his paintings, wanted not only to sing the beauty and originality of his native nature, his native land, but also to remind that a person is responsible for its safety and prosperity.

Silence of the evening

Rocks in Kekeneiz.

special kind school essay- description of the picture. The synthesis of fine arts and literature brings with it some difficulties: how to express by means of language what is perceived by sight? Learning to understand and describe a work of art is a special skill. To master it, there is a set of rules that will help you correctly write an essay on a picture.

Rylov “In the Blue Space” created in a very turbulent time, which is reflected on the canvas. On the example of this work, the article will consider the genre of writing-description of the picture.

Painting genre

To begin with, children should have an idea about the artistic genres in painting. The picture proposed for composition can be a portrait, landscape, household sketch or still life. Do not forget about the features of each individual genre when writing an essay.

“In the blue expanse” by genre is a landscape, or rather, an image of a natural landscape. The landscape does not necessarily represent miraculous nature - the view of the city will also apply to this genre of painting. In any case, its goal is to show the relationship between man and the world, which can be harmonious or in opposition to each other. To see this, one should determine the general mood of the picture: it is expressed through the color palette and the plot.

A word about the author. History of the painting

The preparatory stage before starting work on an essay on a painting is getting to know the personality of the artist, his creative position and features.

An essay based on Rylov’s painting in “Blue Space” should begin with information about the author. Arkady Alexandrovich - artist, landscape painter of the early 20th century, who wrote in the style of symbolism. The picture offered for consideration is one of the two most famous ones that came out from under his brush.

"In the Blue Space" was created at a turning point for the consciousness of the Russian people - in 1918. After the experiences and anxieties of 1917, a kind of sigh of relief could not help but occur, as evidenced by the peaceful atmosphere of the painting, which is light in its mood.

Rylov's favorite genre is the landscape, and he mainly depicts his native nature- North of Russia, the Vyatka River, where he grew up. The artist's favorite colors - green and blue - convey the color of the nature around him, familiar and understandable to the author.

Who or what is depicted

Having carefully examined the picture, it is necessary to determine its main content. If this is a portrait, then the main object of the picture is a person. In further drawing up the plan, it will be useful to find out, if possible, who is depicted on the canvas.

Since Rylov's painting is a landscape, nature will be the main object depicted. This is the harsh northern nature: the rocky islands of the earth, covered with melting snow, are surrounded by a cold, surging sea. Most of the canvas is reserved for the image of the sky: blue, bright in the morning, with cumulus clouds, light in spring.

Important components of the picture, in addition to nature, are a flock of white birds and a sailboat on the horizon, after which they fly. Therefore, there is so much sky on the canvas: the main action is concentrated on the flight of swans. Their movement is directed inside the picture, towards the horizon and the endless expanses that are hidden behind the depicted. The birds seem to be trying to fly away from the canvas, as evidenced by the compositional features of the work.

Composite means and color solution

In order to understand the mood and inner intention of the author, you need to look at the color palette and composition of the whole picture.

Composition is a special arrangement of elements on the canvas, corresponding to the idea of the canvas in general.

The composition based on Rylov’s painting “In the Blue Space” will contain an observation about the horizontal perspective of the whole picture: this is the horizon line, and cumulus clouds stretched above it, and the location of the earth, and the movement of waves. Since dynamics is embedded in the picture, it is the horizontal arrangement of objects that will determine the movement; a flock of birds also moves along the line where sea and sky meet.

Low horizon, like the image of rocky land and northern nature, gives epicness to the picture, drawing attention to the space of the sky in which birds soar.

The composition is inextricably linked with the color scheme of the picture, since the color not only conveys the general intended mood, but also highlights the main thing. In Rylov's painting, white birds calmly and purposefully fly across the blue sky in piercing, clean, bright rays of light. In general, the color scheme is light, creating an upbeat mood. The movement of the objects of the picture is directed towards a certain goal, so there is an expectation of a bright future, confidence and purposefulness.

General impression of the picture, mood and rating

If you try to outline in general terms a plan for an essay based on Rylov’s painting “In the Blue Space”, then it, like a plan for any other work of painting, will contain three points:

The introduction is the first part, it is not very long. The introduction contains a word about the author and the history of the creation of the picture. When talking about Rylov, it can be mentioned that the painting “In the Blue Space” is recognized as one of the first examples of Soviet art. However, one should not associate the content of the canvas exclusively with the ideology of socialism: the enthusiasm that gripped many after the revolution was the result of the shocks they had suffered.
The main body of the essay. This passage provides a description of the picture: what is depicted, what details are present, what is their role. How the composition is built and what is the meaning of the artist's color scheme - the elements of the main part of the work.
Conclusion. The last lines of the essay are usually devoted to conclusions and generalizations, the formulation of one's own attitude to the picture. The main thing is that the position "like - dislike" must be supported by reasoning and evidence.

Essay and essay-description

It is worth distinguishing between two different kind written works: an essay-description of Rylov’s painting “In the Blue Space” will differ from a simple essay based on the work of the same Rylov.

The essay-description focuses on the plot of the picture, its purpose. First of all, you need to correctly describe the content of the canvas by means of literary language. An essay on a painting has a slightly different task: here, first of all, it is important to formulate your vision of the subject. The composition based on Rylov’s painting “In the Blue Space” will reflect the bright impulse forward, expressed through the clear morning sky with a school of majestic white birds.

Since such essays are written in speech development lessons, such work will mostly resemble a description, but with elements of a subjective assessment, which is noted in general terms for such works.

How to write an essay based on Rylov’s painting “In the Blue Space”? At first, preparatory work is to be done: acquaintance with the author and his fate, a careful study of the canvas and the identification of primary and secondary elements. Another rule - before writing an essay, it is worth saying the main thoughts and provisions. You can also make a plan: from the main points and a number of sub-points. A well-written thesis plan very often becomes the key to a successfully written work.

Rylov Arkady Alexandrovich - an outstanding landscape painter of the Soviet era, a master of painting in the spirit of symbolism. Born and grew up in the Vyatka province, in a small settlement on the banks of the Vyatka River. Since childhood, he was delighted with the grandeur of the nature around him, and intended to devote his life to painting. To this end, at a young age, he left for St. Petersburg, where he graduated from the Kuindzhi Academy. During this period, Rylov created many canvases and sketches that helped shape his own style and character of the artist. In particular, his paintings "Seagulls" and "Swans over the Kama" are considered direct predecessors of the artist's most perfect creation - the canvas "In the Blue Space".

It can be safely called the epitome of landscape craftsmanship of the 20th century. In the historical reports of that time, this picture is officially considered the first "Soviet" picture, overflowing with revolutionary romance. But there is nothing Soviet or counter-revolutionary in it. No, Blue Space exudes freedom, independence and equanimity. Nature does not care about human torment, it is indifferent to politics, society, loud slogans and posters. On the contrary, the boundless sea spreads right in front of the viewer. Dark blue, with black waves, it stretches to the horizon. And only the rocks stop the eye, outlining the boundaries of the canvas.

What is amazing about Into the Blue Space is the impeccable composition. The picture can be conditionally divided into four parts, but they are all woven into a single whole, which embodies the true admiration of the artist for natural spaces. It is impossible to single out the main participant in the canvas - all the details are important here. Here is the sea, at the same time calm and quiet, it lives and breathes. Rylov surprisingly accurately conveyed the character aquatic environment: small waves break on rocky cliffs, a light wind drives cumulus clouds, the ship's sails inflate. And swans fly majestically and leisurely over all this, cutting through the heavenly surface with their wings.

The most amazing thing about this canvas is the breath of life. The artist not only captured the landscape, but was able to breathe movement and atmosphere into it. At the same time, "In the Blue Space" cannot be called a uniquely determined creation. Everyone can find something of their own in it. Perhaps the sailboat is not returning to the port, but on the contrary, it is in a hurry to leave for open waters. Maybe in an hour a severe storm will break out here, as evidenced by small foam caps on the waves. Perhaps it is autumn now, or perhaps it is summer, and the swans are returning to their native places to have offspring.

What can be said unequivocally is Rylov's love for freedom, woven together with admiration for the nature of his native lands. The flight of swans is free: they lightly, somewhat lazily flap their wings, clearly enjoying the process. Both the sea and the clouds, still beyond the control of people, are free. And even the ship personifies human lives that have escaped to freedom, into the boundless expanses of the sea.